This site is dedicated to sharing information about what I do as a musician, composer and researcher. I will happily receive any kind of feedback, especially through posting comments in any of the two blogs, either the one dedicated to music or the one more geared towards thinking (through music). The site is definitely an infinite work-in-progress but hopefully you will not experience weird behaviour and broken links. However, if you do, please feel free to send me a note about what happened and how it happened.
I will attempt to use this site, among other things, as a virtual stage posting new recordings every now and then. Please check back regularly and thank you for visiting!
lim at vinterjazz in Copenhagen
|lim is performing at Vinterjazz festival in Copenhagen, for the first time with the new lineup featuring Samuel Hällqvist.
We are playing at the club 5e at 20:00 Friday February 14.
Go to Hell
|Go To Hell: installation and performance with The Six Tones. Choreography by Marie Fahlin. Video by Anders Elberling and Jörgen Dahlqvist. Sound and light installation by Gerhard Eckel. Music by Rolf Riehm, Henrik Frisk (all live electronics), Richard Karpen and The Six Tones. Light design by Sutoda.
Go To Hell: gesture and sound on the threshold.Go to Hell is an installation and performance work set on the threshold between gesture and sound and between the worlds of the dead and the living. The three musicians of the Vietnamese/Swedish group The Six Tones move through the subterranean landscape of the dismantled R1 nuclear reactor like mythological after-images. Fragments from the myth of Orpheus are double-exposed with the tale of a beheaded ghost from Vietnamese Tuong theatre. Evoked by the potential danger of the location, the audience is invited to explore an interactive and open form installation that relates to ancient myth and its bearings on experimental art of today. The choreographies and video art all relate to the gestural and conceptual content of Toccata Orpheus, a composition for guitar solo by the German composer Rolf Riehm.
The Mystic Writing Pad II
|The title, The Mystic Writing Pad, refers to Freud's 1924 paper in which he lays out a hypothesis about the inner functionlity of human perception. This is the second, all electronic part, in the suite of pieces called the Mystic Writing Pad.|
With only my hands
|The Six Tones in collaboration with the Thai poet Zakariya Amataya. In 2014 we are planning to record a CD together with more pieces on Zakariya's poems.|
KU – igår, idag och i morgon
|Termen Konstnärligt utvecklingsarbete härstammar från högskolereformen 1977. De konstnärliga högskolorna inlemmades i universiteten, gick från att enbart vara undervisningsinstitutioner till att också härbärgera forskning – men av vilket slag, det var frågan. Att se på konstnärliga processer som en del av det akademiska kunskapsbyggandet var inte populärt; till skillnad från “god vetenskaplig forskning”, ansågs konstnärliga projekt varken vara generella eller verifierbara utan byggda på subjektiva ställningstaganden i kontrast till den vetenskapliga metoden.|
|These are excerpts from the music Stefan Östersjö and I did for Isaac Julien's film Better Life, displayed and performed at the Gothenburg Biennale in 2011.|
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