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New communications technology in the context of interactive sound art: An empirical analysis

Henrik Frisk & Miya Yoshida

Malmö Academy of Music - Lund University

21 September 2007

Box 8203, S-20041 Malmö, Sweden

Abstract:

In this article we discuss the notion of `interaction' and `participation' and `the public' in artistic work, specifically within the context of the exhibition The Invisible Landscapes (curated by Miya Yoshida, Malmö Konstmuseum, 2003) and etherSound (created by Henrik Frisk), a sound installation displayed in that exhibition. In this work the audience is invited to participate in the creation of new sound events by sending text messages from their mobile phones. Thus, our discussion is focused on the space and the mode of participation opened up by new communication technology. Based on our experiences of that project, we introduce and explain what we believe are relations of creative production and a different kind of creativity that may emerge from active interaction. We also attempt to describe what we believe an implementation of active public participation can lead to.

We are combining two modes of thinking in this article - one is inspired by discourse of the cultural theories and the other is the reflection upon our experience of the event. The latter is by definition rather subject-centered and expansive based on individual observation. We examine and analyze the phenomenon of `participation' whilst playing etherSound as a process of creative production, and seek to reflect upon the power of the co-operative practice and its relation to participation and creativity.




next up previous contents index
Next: Contents Up: Dissertation papers   Contents   Index
Henrik Frisk, Miya Yoshida