Henrik Frisk, saxophonist, photo by Karl-Martin Almqvist.


This site is dedicated to sharing information about what I do as a musician, composer and researcher. I will happily receive any kind of feedback, especially through posting comments in any of the two blogs, either the one dedicated to music or the one more geared towards thinking (through music). The site is definitely an infinite work-in-progress and perhaps more of an archive than a promotion, but hopefully you will not experience weird behaviour and broken links. However, if you do, please feel free to send me a note about what happened and how it happened.

I will attempt to use this site, among other things, as a virtual stage posting new recordings every now and then. Please check back regularly and thank you for visiting!

I am also writing a blog (in Swedish) which is more concerned with politics and other things than music.

recent updates

2020-02-18 [Document]

Aesthetics, interaction and machine improvisation

Departing from the artistic research project Goodbye Intuition (GI) hosted by the Norwegian Academy of Music in Oslo, this presentation discusses the aesthetics of improvising with machines. Playing with a system such as the one used by GI, with limited intelligence and no real cognitive skills will obviously reveal the weaknesses of the system, but it will also convey part of the preconditions and aesthetic frameworks that the human improviser brings to the table. If we want the autonomous system to have the same kind of freedom we commonly value in human players' improvisational practice, are we prepared to accept that it may develop in a direction that departs from our original aesthetical ambitions? The analyses presented here are based on some of the documented interplay between the musicians in the group in workshops and laboratories. The question of what constitutes an ethical relationship in this kind of improvisation is briefly discussed. The aspect of the machine's disembodied relation to the music emerges as a central obstacle in the development of musical improvisation with machines.

To open the presentation in full screen, click here

2020-01-11 [News]

Audio paper broadcasted on fr-bb

The Audio paper Found in translation published by the peer-reviewed platform for contemporary music and sound art, Seismograf, earlier this year is broadcasted by fr-bb on February 11 at 15:00.
2020-01-10 [News]

Presentation at KTH

A presentation at a small conference at KTH in connection with Emma Fridh's public defence on a study in the project Goodbye Intuition.

To open the presentation in full screen, click here

2019-12-01 [Music]

Image Schema (With Music as a Script)

Music to a video created by Johan Fröst. The visual material is a processed recording of Fröst playing piano music by Debussy. I have not used the original music as my point of departure, rather I have exclusively looked at the images and extracted the form from the changes in the film. The film was the mediator between the original piano music and this electronic score. This piece was premiered in Engelbrektskyrkan in Stockholm on Nowember 24.

2019-12-01 [Composition]

Image Schema (Play into your Eye)

A composition for video and electronic score
2019-09-15 [Document]

Machinic propositions - narrative interaction between sound and image

The 3rd international conference on sound in film and new media in Vilnius focuses this year on soundscapes and immersive sound. I will give a keynote on the topic of narrative interaction between sound and image in the piece Machinic Propositions by Anders Elberling and myself (Mongrel). The piece was also performed in the festival in the souround sound dome of MiSC at the conservatory of music in Vilnius.

To open the presentation in full screen, click here

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