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Barthes, 1971
Barthes, R. (1971).
Musica Practica, pages 149-154.
In [Barthes, 1977].

Barthes, 1977
Barthes, R. (1977).
Image, Music, Text.
Fontana Press, essays selected and translated by stephen heath edition.

Davies, 2001
Davies, S. (2001).
Musical Works & Performances: a philosophical exploration.
Oxford: Clarendon Press.

Eco, 1968
Eco, U. (1968).
The Open Work.
Hutchinson Radius.
English translation published in 1989.

Eco, 1971
Eco, U. (1971).
Den frånvarande strukturen (La struttura assente).
Casa Ed. Valentino Bompiani & Co./Bo Cavefors Bokförlag AB.
Translation to Swedish by Estrid Tenggren.

Gadamer, 1960
Gadamer, H. G. (1960).
Wahrheit und Methode: Grundzuge einer philosophischen Hermeneutik.
Tubingen, Mohr.
In English: Truth and Method, translation by J. Weinsheimer and D.G.Marshall, New York: Crossroad.

Kivy, 1995
Kivy, P. (1995).
Cornell University Press.

Molino, 1975
Molino, J. (1975).
Fait musical et sémiologie de la musique.
Musique en Jeu, (17):37-62.

Molino, 1990
Molino, J. (1990).
Musical fact and the semiology of music.
Music Analysis, 9(2):113-156.
Blackwell Publishing. Translation by J. A. Underwood. The original article was published in [Molino, 1975].

Nattiez, 1989
Nattiez, J.-J. (1989).
Reflections on the development of musical semiology.
Musical Analysis, 8(1-2):21-75.
In translation by Katherine Ellis.

Nattiez, 1990
Nattiez, J.-J. (1990).
Music and Discourse - Toward a Semiology of Music.
Princeton University Press.
Translation by Carolyn Abbate.

Östersjö and Hultberg, 2005
Östersjö, S. and Hultberg, C. (2005).
Per nørgård's returns, a collaborative study on interpretation finding and performance practice today.
Conference Paper MIDAS Conference, Glasgow 2005.

Ric\oeur, 1991
Ric\oeur, P. (1991).
From Text to Action.
Northwestern University Press.
Translation by Kathleen Blamey and John Thompson.

Wishart, 1985
Wishart, T. (1985).
On Sonic Art.
Imagineering Press, York.

Henrik Frisk, Stefan Ostersjo